Dienstag, 16. Januar 2024

BERLIN - Countdown is on - last events at Rungestrasse 20

 



Dear friends and collegues, don't miss to visit us before we will have to leave our location at Rungestraße 20!
A great programme awaits you over the next five weeks: Two Sonic Art Bars, two solo exhibitions – Özcan Ertek and Budhaditya Chattopadhyay – presentations and performances by Alifyia Amani, Chiara Checconello, The Psychedelic Choir and finally, on 23 February, the launch of our double vinyl album Errant Sounds!

Wednesday January 17th 2024 
Sonic Art Bar #11 / AROVANE

The Sonic Art Bar is a forum for conversations, exchange and enjoyable listening. Exceptionally with a live event this time:

The legendary electronic artist AROVANE will present a living room concert followed by an artist talk. He will play with modular synths and some stomp boxes. Listening recommendations on bandcamp: https://12kmusic.bandcamp.com/album/skal-ghost
https://arovane.bandcamp.com/album/wirkung
  • 7pm » Sonic Art Bar very classic «
  • 8pm » AROVANE live « followed by an artist talk moderated by Max Joy 
  • 
approx 9:30pm » Sonic Art Bar very classic

Özcan Ertek: Devil’s Rope (sound installation)

January 19th – 25th 2024 
Özcan Ertek – SCULPTED SONORITIES

Solo Exhibition – Opening Friday 19th of January at 7pm
with live performances by Leon Eckard (8:30pm) and Acrartep (9pm)  
Exhibition: 20. / 21. / 24. / 25. January 4-8pm 
Finissage performance on Thursday 25. January at 8pm by Özcan Ertek: Devil's Rope: On a Journey of No Return

Sculpted Sonorities at Errant Sound invites visitors to explore two kinetic-interactive sonic sculptures, the psychology of material resonances and their roots. The exhibition examines and synthesizes various themes such as movement, migration, social change, and material observation based on movement.

The first work, Devil's Rope, induces viewers to explore materials associated with borders, utilizing barbed wire and turnbuckles to evoke themes of movement and human mobility. It transforms the gallery into a symbolic space with a border, dynamically altering its soundscape in response to the audience's proximity. The installation offers a stark confrontation and confines visitors' mobility in the exhibition space, addressing the social resonance of borders.

Complementing this narrative, the second work, Das Loop, invites participants to engage more intimately with the exploration of movement on a micro-scale, using a plate, magnet, and metal particles. The continuous repetition in Das Loop’s circular movement mirrors the process of chaos and order in the world of particles, exploring the nuanced interplay within this dualism.


Özcan Ertek, completed his master's degree in Sound Engineering and Sonic Arts in Istanbul 2015, followed by a diploma programme in the Art and Media department at the University of the Arts Berlin. Since November 2018, Ertek has been exhibiting kinetic sound installations featuring new media and mechanics in Berlin, as well as performing as a musician.  https://ozcanertek.com



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