Montag, 23. Juli 2018

July/August News: 2 New Electroacoustic Works: London, Bayreuth


Dear Readers,

I am delighted to announce the following performances, presenting two new electroacoustic works.  

Here you will find general information, with full details further below.

1) 
10th July 2018
A Penny Beautiful for Catherine Eddowes
Musicity London Live
Erased Tapes Sound Gallery, London

2)
23rd August 2018
Dear Richard… An Initial Encounter (between Richard Wagner and Morton Feldman)
Wagner Museum, Bayreuth

And finally, new solo piano scores will be uploaded next week to the Vision Of Sound Shop.

Thank you for reading.
Simon Vincent

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10th July 2018
A Penny Beautiful for Catherine Eddowes is a work for 2-channel playback, commissioned by Nick Luscombe (BBC Radio 3 Late Junction/Musicity).

Composed as a response to both the architecture and history of Mitre Square (Aldgate), London – synonymous with Jack the Ripper and 19th century 'Penny Dreadful' literature – the work shifts focus more importantly and respectfully onto Catherine Eddowes, a victim of the Whitechapel Murders, and is conceived for her as an electroacoustic 'garden of remembrance'.

Presented live at the Erased Tapes Sound Gallery, London, it will be subsequently available as a download through Musicity.


23rd August 2018
Dear Richard… An Initial Encounter
Wagner Museum, Bayreuth

Commissioned by Dr. Katharina Fink (Universität Bayreuth) and the Wagner Museum Bayreuth, this new electroacoustic work documents an initial encounter between Richard Wagner and Morton Feldman.

Wagner, a composer of not insubstantial musical works, sends his portfolio – of which he is enormously proud – to American composer Morton Feldman, curious to hear the latter's opinion.

Feldman takes it upon himself to offer Wagner constructive criticism, something which develops into regular, long-distance composition lessons from Feldman.

Tonight, the audience will be hearing just some of the results of this first composition lesson, the outcome of an initial encounter between two quite different worlds. To be continued.

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All Vision Of Sound Releases and Scores can now be found on Bandcamp
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“AN IMMERSIVE EXPERIENCE.”
International Piano
“MASTERFUL COMPOSITIONS INTIMATELY
PERFORMED. BEAUTIFUL MUSIC.”
Nick Luscombe BBC Radio 3 Late Junction/
FlomotionRadio


“DYNAMIC… SUBLIME… REFRESHING… OCCASIONALLY TOO
MUCH OF A GOOD THING CAN BE WONDERFUL.”
Peter Wockner, Jazz and Beyond
“LAYERS OF GREAT SENSITIVITY… CAPTIVATING… VAST
SHIMMERING PIANO IMPRESSIONISM… UNIQUE
SENSITIVITY FOR SOUND.”
Robert Ratajczak, Longplay
“… EXQUISITE, MAGICAL, MESMERISING, TRANSCENDENTAL,
YET UNSHAKABLY EARTHBOUND …”
Kyle McCallum, Extranormal Records
“VINCENT’S WORK IS AS RICH AND
SURPRISING AS HIS CV.”
Dan Warburton, Paris Transatlantic





Montag, 2. Juli 2018

the-sound-design-project



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Hello!

We are a research team1 working on behalf of LABEX CAP (Laboratory of Excellence « Creation, Arts and Heritage ») in Paris, an observatory and experimental research laboratory working under the auspices of the French Ministry of Culture as well as in collaboration with other French institutions.2

We are currently conducting a research project (Start date: March 2018) to build a conceptual and practical framework for the study of sound design3. By adopting an approach globally inspired by design research, the project focuses on the main actors of the discipline, the sound designers, through an analysis of their practice according to different perspectives (artistic, musicological, socio-cultural, technical, ecological and scientific).

By means of large-scale studies – realised through interviews, an online questionnaire, and extracts and quotes from relevant sources – the project will promote understanding of the creative process underlying sound design, building consistent (historical, anthropological and methodological) knowledge about the discipline, and consequently, better evaluate how sound design impacts the artistic, technical or scientific domains.

As we are currently setting the ground of this extensive investigation, we have started compiling a list of sound designers operating in Europe (we are hoping to open our research to other countries, at a later stage) and a list of institutions in Europe - universities, associations, schools, specific courses and masters, studios and private companies - that operate in the field.
If you are a sound designer or a composer/sound designer, and are interested in participating to our research project, please fill the form here with the code “AUDIT”:
and/or pass this message on to other professionals, colleagues or teachers in sound design.
This work is done for specific research purposes. This list and all participant information will be kept confidential and will not be communicated to third parties. No data will be shared with others and the data gathered will only be used for this evaluation research, in accordance with privacy standards set forth in the General Data Protection Regulation in effect in the EU since May 25, 2018.

We will contact you again in the near future with more accurate details. Moreover, it is our intention that in the future this list will serve to create a network of professionals operating in the broad field of sound design. In the form of a mailing list, it will serve as a central go-to point of contact, as a communication channel, as an information sheet (conferences, journals, events…).

If you have any further questions about the research or you need any additional information, you may email the research team at ASDP.project@gmail.com or simply reply to this message.

In the meantime, thank you very much for your time.
(Apologies for cross-posting)

All the best,

The "Analysis of Sound Design Practices" team:

Nicolas Donin,
David Fierro,
Nicolas Misdariis,
Frank Pecquet,
Laura Zattra.
Labex CAP (Création, Arts et Patrimoines)
STMS Ircam-CNRS-SU / equipe APM
STMS Ircam-CNRS-SU / equipe PDS
(Arts Créations Théories Esthétiques)

3.   Sound design can be considered as a field of design which consists in taking into account, through a collaborative process, the sonic dimension during the conception phase of a product (tangible), an interface (digital) or an environment (spatial).

As a point of contact between the fields of art, industry and sciences, sound design practices are used in a wide range of fields where taking sound into consideration is pertinent from both a functional and aesthetic point of view: audio-visual production (film, video games, theater), product manufacture (home appliances, digital display), service infra-structures (transportation), environment (architecture/urbanism, ecology, museography), communication (advertising, marketing, sound branding, broadcasting), performing arts (music, sound installations), etc.



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2 The Labex CAP - Création, Arts et Patrimoines. (http://labexcap.fr/labex-cap/)
The ACTE Institute - Arts Créations Théories Esthétiques.
The IRCAM/APM team « Analyse des Pratiques Musicales».
The IRCAM/PDS team « Perception et Design Sonores ».


Analysis of Sound Design Practices - 2018


Herzliche Einladung zu Aus dem Hinterhalt: Il viaggio a Reims



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Aus dem Hinterhalt 2018/2019
Wozzeck am 9. November 2018
Les Contes d’Hoffmann
am 14. Dezember 2018
La Sonnambula
am 1. Februar 2019
Der Zwerg am 8. Marz 2019
Don Quichotte am 28. Juni 2019
 

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Liebe Freund*innen und Kolleg*innen,

Gioacchino Rossinis Oper Il viaggio a Reims hat zwei Gesichter. Zum einen ist es ein Sängerfest sondergleichen, geschrieben als Bravourstück für ein gutes Dutzend hochkarätiger Sänger*innen, die hier die ganze Bandbreite des Belcanto an Virtuosität und Facetten stimmlichen Ausdrucks feiern – und das Ganze als Huldigung eines der reaktionärsten Monarchen des 19. Jahrhunderts. Il viaggio a Reims entstand als Festoper anlässlich der Krönung Karls X. zum französischen König im Jahr 1825.

Aber zugleich ist das Stück ein doppelbödiges und ironisches Spiel mit dem Genre des Huldigungsstücks wie mit den nationalen Charakteren und Klischees des „Alten Europa“. Dieses trifft sich in Person einer illustren Reisegesellschaft in einem Kurhotel. Man ist auf dem Weg zu eben jener Königskrönung Karls X., dem gesellschaftlichen Höhepunkt des Jahres – die man aber nie erreichen wird.

Il viaggio a Reims ist die letzte Neuproduktion auf der großen Bühne der Deutschen Oper Berlin in der Spielzeit 2017/18 und auch die Reihe Aus dem Hinterhalt begeht mit diesem Sängerfest mit doppeltem Boden das Saisonfinale. Am 7. Juli nehmen die beiden Regisseurinnen Julia Lwowski und Franziska Kronfoth, in Berlin bestens bekannt durch das Musiktheater-Kollektiv Hauen und Stechen, Il viaggio a Reims aus dem Hinterhalt in den Blick: als Parabel auf das Europa von heute wie auf den Wahnsinn und die Glücksmomente all dessen, was Oper sein kann – und was wir an ihr so lieben.

Unterstützt werden sie dabei von zwei weiteren Mitgliedern von Hauen und Stechen, dem Musiker und Performer Roman Lemberg sowie dem Videokünstler Martin Mallon – und natürlich von Sänger*innen aus dem Ensemble der Deutschen Oper Berlin: Meechot Marrero, Siobhan Stagg, Dean Murphy und Gideon Poppe. Die musikalische Leitung liegt in den Händen von Elda Laro, es spielen Musiker*innen aus dem Orchester der Deutschen Oper Berlin.

Wir möchten Sie herzlich einladen, dieses Saisonfinale gemeinsam mit uns zu feiern!

Mit herzlichen Grüßen von Alexandra Holtsch und Sebastian Hanusa
 

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