Institute of Sonology - University of the Arts The Hague /
Academy of Creative and Performing Arts - Leiden University /
WEST Den Haag
The past two decades have seen an unprecedented growth in the interest
in sound from a variety of domains. Within the artistic sphere, sound
has extended its presence in museums and galleries worldwide; within the
scholarly domain, through the blooming of the
transdisciplinary field of Sound Studies. This expansion has prompted
new questions as well to the realm of musical practices.
Transformations of the Audible will gather
international scholars, researchers and practitioners from the domains
of Music, the Arts and Sound Studies, to investigate the ways in which
we engage with sound: what are the factors and conditions
that shape how we listen, how do they traverse our artistic practices
and how do these practices in turn operate on our listening.
Transformations of the Audible is initiated by the Institute
of Sonology / Royal Conservatoire, at the occasion of the presence
of the fourth Konrad Boehmer Visiting Professor Peter Ablinger in The Hague, in partnership with Leiden University’s Academy
of Creative and Performing Arts and arts organisation WEST Den Haag.
The symposium will consist of a daily programme including lectures,
panel discussions and artistic presentations, followed by evening
performances on each of the three days. International guests, besides
Peter Ablinger, include Sound Studies scholars Brian
Kane, Penelope Gouk, Melissa van Drie and Douglas R. Barrett, composers
Catherine Lamb, Joanna Bailie and François Bonnet, and performers Dafne
Vicente-Sandoval and Andreas Borregaard. They will be joined by an
extensive group of Netherlands-based researchers
and practitioners.
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